REFERENCES

Cuthbert, John A. West Virginia Folk Music: A Descriptive Guide to Field Recordings in the West Virginia and Regional History Collection. Morgantown, West Virginia: West Virginia University Press, 1982.
Gilman, Lisa and John Fenn. Handbook on Folklore and Ethnomusicology Fieldwork. Bloomington, Indiana: Indiana University Press, 2019.
Harris, Trevor M. “Deep Geography—Deep Mapping: Spatial Storytelling and a Sense of Place.” In Deep Maps and Spatial Narratives. Edited by David J. Bodenhamer, John Corrigan, and Trevor M. Harris. Bloomington, Indiana: Indiana University Press, 2015. 28-53.
Junior and Ann Martin. 1958. Courtesy of West Virginia History OnView. wvhistoryonview.org/catalog/027739
The Kenneth L. Carvell Archive, ca. 1957-1961. 124-159. West Virginia & Regional History Center, Morgantown, West Virginia. wvrhc.lib.wvu.edu/collections/folk-music
Kisluik, Michelle. “(Un)doing Fieldwork: Sharing Songs, Sharing Lives.” In Shadows in the Field : New Perspectives for Fieldwork in Ethnomusicology. Edited by Gregory F. Barz and Timothy J. Cooley Oxford: Oxford University Press, 2008. 183-205.
Laprelle, Elizabeth, and Anna Roberts-Gevault. The Invisible Come To Us. Smithsonian Folkways Recordings SFW40229, 2018, CD.
Lawless, Elaine J. “‘Reciprocal’ Ethnography: No One Said It Was Easy.” Journal of Folklore Research 37, no. 2/3 (2000): 197-205.
Linscheid, Mary. "tri-district sings, monongalia county, wv." 2023.
Mullen, Patrick B. “A Word of Introduction: Collaborative Research in Context.” Journal of Folklore Research 37, no. 2/3 (2000): 119-122.
Mullen, Patrick B. “Collaborative Research Reconsidered.” Journal of Folklore Research 37, no. 2/3 (2000): 207-214.
Mullen, Patrick B. “The Dilemma of Representation in Folklore Studies: The Case of Henry Truvillion and John Lomax.” Journal of Folklore Research 37, no. 2/3 (2000): 155-174.
Obituaries from The Dominion Post.
Petrisino, Kiki. White Blood: A Lyric of Virginia. Louisville, Kentucky: Sarabande Books, 2020.
Roberts-Gevault, Anna. Conversation about the importance of the physical places where recordings were made (i.e. church buildings). January 2021.
Roberts-Gevault, Anna. “field work final.” Document, in author’s possession, 2017.
“The Space of Folk Music: Anna Roberts-Gevault at the Hirshhorn Museum,” Smithsonian Folklife, December 30, 2019, video, www.youtube.com/watch? v=Oha-2XpkduM&t=1s&ab-channel=SmithsonianFolklife
Toelken, Barre. “The Yellowman Tapes, 1966-1997.” Journal of American Folklore 111, no. 442 (1998): 381-391.
Tri-District Sing, Bethel Baptist Church, Monongalia County, W. Va. ca. 1957. Print. Bethel Baptist Church, Monongalia County, W. Va. Courtesy of West Virginia History OnView. wvhistoryonview.org/catalog/027941
Williams, Sean. “Poetry Writing as Transgressive Ethnography.” Ethnomusicology 3, no. 66 (2022): 361-378.

Precious Memories: Reuniting the Carvell Collection with Monongalia County Churches

REFERENCES

Cuthbert, John A. West Virginia Folk Music: A Descriptive Guide to Field Recordings in the West Virginia and Regional History Collection. Morgantown, West Virginia: West Virginia University Press, 1982.

**Gilman, Lisa and John Fenn. Handbook on Folklore and Ethnomusicology Fieldwork. Bloomington, Indiana: Indiana University Press, 2019.**

Harris, Trevor M. “Deep Geography—Deep Mapping: Spatial Storytelling and a Sense of Place.” In Deep Maps and Spatial Narratives. Edited by David J. Bodenhamer, John Corrigan, and Trevor M. Harris. Bloomington, Indiana: Indiana University Press, 2015. 28-53.

Junior and Ann Martin. 1958. Courtesy of West Virginia History OnView. wvhistoryonview.org/catalog/027739

The Kenneth L. Carvell Archive, ca. 1957-1961. 124-159. West Virginia & Regional History Center, Morgantown, West Virginia. wvrhc.lib.wvu.edu/collections/folk-music

Kisluik, Michelle. “(Un)doing Fieldwork: Sharing Songs, Sharing Lives.” In Shadows in the Field : New Perspectives for Fieldwork in Ethnomusicology. Edited by Gregory F. Barz and Timothy J. Cooley Oxford: Oxford University Press, 2008. 183-205.

**Laprelle, Elizabeth, and Anna Roberts-Gevault. The Invisible Come To Us. Smithsonian Folkways Recordings SFW40229, 2018, CD.**

**Lawless, Elaine J. “‘Reciprocal’ Ethnography: No One Said It Was Easy.” Journal of Folklore Research 37, no. 2/3 (2000): 197-205.**

Linscheid, Mary. "tri-district sings, monongalia county, wv." 2023.

**Mullen, Patrick B. “A Word of Introduction: Collaborative Research in Context.” Journal of Folklore Research 37, no. 2/3 (2000): 119-122.**

**Mullen, Patrick B. “Collaborative Research Reconsidered.” Journal of Folklore Research 37, no. 2/3 (2000): 207-214.**

**Mullen, Patrick B. “The Dilemma of Representation in Folklore Studies: The Case of Henry Truvillion and John Lomax.” Journal of Folklore Research 37, no. 2/3 (2000): 155-174.**

Obituaries from The Dominion Post.

**Petrisino, Kiki. White Blood: A Lyric of Virginia. Louisville, Kentucky: Sarabande Books, 2020.**

Roberts-Gevault, Anna. Conversation about the importance of the physical places where recordings were made (i.e. church buildings). January 2021.

Roberts-Gevault, Anna. “field work final.” Document, in author’s possession, 2017.

**“The Space of Folk Music: Anna Roberts-Gevault at the Hirshhorn Museum,” Smithsonian Folklife, December 30, 2019, video, www.youtube.com/watch? v=Oha-2XpkduM&t=1s&ab-channel=SmithsonianFolklife**

**Toelken, Barre. “The Yellowman Tapes, 1966-1997.” Journal of American Folklore 111, no. 442 (1998): 381-391.**

Tri-District Sing, Bethel Baptist Church, Monongalia County, W. Va. ca. 1957. Print. Bethel Baptist Church, Monongalia County, W. Va. Courtesy of West Virginia History OnView. wvhistoryonview.org/catalog/027941

**Williams, Sean. “Poetry Writing as Transgressive Ethnography.” Ethnomusicology 3, no. 66 (2022): 361-378.**